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Jeanne Beker on Sonja Bata's legacy as a shoe and style icon

Veteran fashion journalist Jeanne Beker discusses the late Sonja Bata's legacy as a Canadian cultural icon.
(Michal Sváček)

Collector and philanthropist Sonja Bata had a fascination with design and history that led to a collection of thousands of artifacts in the Bata Shoe Museum. Fashion journalist Jeanne Beker joins Tom Power to talk about the late style icon's legacy and why she personified grace, dignity and charm.

Produced by Shannon Higgins


Sonja Bata, BSM Founder's Lecture 2015. (Bata Shoe Museum)
Sonja Bata receiving the Meritorious Service Medal -Military Division- with Michaelle Jean, April 5, 2006. (Bata Shoe Museum)
Sonja Bata with Mother Teresa Calcutta India, February 1984. (Bata Shoe Museum)
Sonja and Thomas Bata Engagement photo, Spring or Summer 1945. (Bata Shoe Museum)
Manchu, China, c. 1880: Manchu women were forbidden to have bound feet and instead wore high platform shoes that stilted their gait and allowed them to emulate the desirable shuffling ‘lotus walk’ of women with bound feet. Although the Manchu and the Han were distinct ethnic groups within China, they shared a similar artistic vocabulary, a fact attested to by the use of similar motifs such as the butterflies that decorate the uppers of these shoes. (Bata Shoe Museum)
François Pinet boots, French, late 1870s – early 1880s: François Pinet manufactured some of the most exquisite footwear worn by the most elegant during the second half of the 19th century. Much of his footwear was factory‐made but he also employed seven hundred embroiderers who labored in less than comfortable conditions creating botanically accurate floral embroidery. Collection of the Bata Shoe Museum. (Image © 2015 Bata Shoe Museum, Toronto, Canada/photo: Ron Wood)